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New York-based, Independent Artist Alé Debuts “The Party”

Parties are a very public experience. You’re surrounded by people. It’s loud. You’re meant to be happy. When Alé writes about the experience of a party, it’s much more personal. 

In his upcoming EP titled The Party, the singer, songwriter, and producer takes us through a real scenario he experienced over the course of just two nights. “I ran into an ex-girlfriend at a party, and I was thrown off by the fact that I was experiencing so many emotions seeing her, but I was in public.” It’s the idea of needing to show that you’re doing well, that you’re good and happy and positive, when you really need closure from that past experience. It was a challenging experience for Alé, managing “the emotional dynamic of trying to put on a brave face in the group of people you want to impress, while running into someone who you used to know. The hardest thing to do is fake the feeling.” It’s a blur of two moments in someone’s life. “It’s not like a party, it’s the party.” 

In speaking to Alé about this experience, he summarizes by stating, “overall, it’s just about being a kid in the city and taking influences from its madness. The cultural speed of the city makes it so I’m highly stimulated all the time.” Traditionally known as a phenomenal guitar player, Alé chose to base the majority of the EP on synthesis song design, with only one track based on guitar. He sees this as his own “act of rebellion” in  his musical journey, fully producing and mixing each track. 

“I’m in a scene of people who are messing with the rules of sound within music. It’s a wave we’re all riding.” 

For Alé, he wouldn’t want to put music out any other way. Knowing that he gets to choose every song and moment related to the song makes him feel that the tracks mirror himself artistically. He says, “a lot of the lyrical content is straight out of the actual story, so it’s about me getting closure for myself. This EP is a tale of being a teenager in love in a city where everything is so mad.” 

The theme of “The Party”  matches perfectly with Alé’s sound. In establishing this, “it always comes back to playing blues guitar.” He adds components of rock and roll, r&b, and soul that stuck with him throughout his experiences at the Conservatory and Little Kids Rock program, mixed with the aesthetic influence of hyperpop. Combining the classic pop 2000s song with his musical background and sprinkling in the sound design of hyperpop has led to his unique sound in “The Party.” Ultimately, Alé has resonated with the idea of pushing the boundaries of music sonically: “I really dig that on a scene level. I’m in a scene of people who are messing with the rules of sound within music. It’s a wave we’re all riding.” 

Credit: Alexis Marshall

To promote his first EP release on November 12th, Alé performed at the Elsewhere space in New York City the day prior. Though far from his first performance, he notes that this show is special for several reasons. Alé says, “I’ve always gatekeeped my music, but this week I celebrate it.” 

Alé’s background has not only influenced his music but the way he performs live as well. As a kid, he began playing guitar at age 7. Throughout his adolescence, Alé continued to perfect his craft at the Little Kids Rock program, where he was introduced to jazz guitar. At 15, he had the opportunity to share the stage with enigmatic artists such as Green Day, Joan Jett, Alice Cooper, and Paul Shaffer. As a student at the Conservatory, “I always felt a bit nervous to share my singing and songwriting, because I’d always been the just the guitar player,” It wasn’t until he was accepted into the Clive Davis Institute of Recorded Music at NYU Tisch program, where he’s met artists who understand his musical persona, did he begin to feel comfortable enough to release and share his true sound. Ultimately, “this past Thursday performance was special because I celebrate the transition from being a musician for other people to an artist for myself.” 

For any artist, the goal is to keep writing new, influential music. For Alé, his goal is to write music and lyrics that wake people up to their feelings. By writing lyrics that are directed to you, the listener, he’s excited to think about where the future of his sound lies, and how he can develop a stronger sense of relatability. Alé said to me: “when you listen to music that you love, you feel like you can conquer the world.” It’s this mindset that makes me so sure of his future and so thrilled to listen to what’s to come.  

Molly MacDuff
Molly MacDuff

Molly MacDuff is a writer and editor currently attending Emerson College’s Publishing and Writing MA program.

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